My recent work is about making a true likeness of a landscape from many single images, each one a record of the moment the shutter was pressed. Once merged they become a single, large image that appears to have been made as one exposure. The image may be a true likeness but it’s also a deceit.

Other work looks to explore what cameras help to do well – the photograph is arguably best when it freezes a moment that cannot be recorded truthfully in any other medium.

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